As a fan of Nayar’s debut record Our Hands Against The Dusk, it caught me off guard. That album has no percussion on it at all. There are some rapid-fire mechanical hi-hats on the second track, “Tetramorph,” and the back half of track six, “Gayatri,” has what sounds like a snare buried deep in the mix. Two minutes and thirty seconds into the title track of Rachika Nayar’s Heaven Come Crashing, an absolutely massive drum and bass beat drops. .
Rachika Nayar’s Heaven Come Crashing is an instrumental epic of desperate longing.
